The Modigliani Scandal

Description

A high-speed, high-stakes thriller from Ken Follett, the grand master of international action and suspense.

A fabulous “lost masterpiece” becomes the ultimate prize—for an art historian whose ambition consumes everyone around her, an angry young painter with a plan for revenge on the art establishment, and a desperate gallery owner who may have double-crossed his own life away. Behind the elegance and glamour of the art world, anything goes—theft, forgery, betrayal, and maybe even murder. . . .Praise for the novels of Ken Follett

“Great entertainment.” —The Baltimore Sun

“Gripping.” —The New York Times

“Follett really knows how to tell a story.” —The Atlanta Journal-Constitution

“Follett is a master of crafty plot and incredible detail.” —Time 

“The man tells a story so well. . . . Follett can make things glow with some beautifully written episodes.” —St. Louis Post-Dispatch

“Follett is a master.” —The Washington Post 

“Few authors deliver as consistently as Follett.” —Pittsburgh Press

“A major talent.” —Booklist

Ken Follett is one of the world’s best-loved authors, selling more than 160 million copies of his thirty books. Follett’s first bestseller was Eye of the Needle, a spy story set in the Second World War. 

In 1989 The Pillars of the Earth was published, and has since become the author’s most successful novel. It reached number one on bestseller lists around the world and was an Oprah’s Book Club pick.
 
Its sequels, World Without End and A Column of Fire, proved equally popular, and the Kingsbridge series has sold 38 million copies worldwide.
 
Follett lives in Hertfordshire, England, with his wife Barbara. Between them they have five children, six grandchildren, and three Labradors. 

INTRODUCTION

IN A MODERN THRILLER the hero generally saves the world. Traditional adventure stories are more modest: The central character merely saves his own life, and perhaps the life of a faithful friend or a plucky girl. In less sensational novels—the middlebrow, well-told narratives that have been the staple diet of readers for more than a century—there is less at stake, but still a character′s efforts, struggles, and choices determine his destiny in a dramatic fashion.

I don′t actually believe that life is like that. In reality, circumstances quite beyond our control usually determine whether we live or die, become happy or miserable, strike it rich or lose everything. For example: Most rich people inherit their money. Most well-fed people simply had the luck to be bom in an af fluent country. Most happy people were born into loving families, and most miserable people had crazy parents.

I′m not a fatalist, nor do I believe that everything in life is blind chance. We do not control our lives the way a chess player controls his pieces, but life is not roulette either. As usual, the truth is complicated. Mechanisms beyond our control—and sometimes beyond our understanding—debermine a person′s fate, yet the choices he makes have consequences, if not the consequences he anticipated.

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