The Mermaid

Description

From the author of Lost Boy comes a beautiful historical fairy tale about a mermaid who leaves the sea, only to become the star attraction of history’s greatest showman.

Once there was a mermaid called Amelia who could never be content in the sea, a mermaid who longed to know all the world and all its wonders, and so she came to live on land.

Once there was a man called P. T. Barnum, a man who longed to make his fortune by selling the wondrous and miraculous, and there is nothing more miraculous than a real mermaid.

Amelia agrees to play the mermaid for Barnum and walk among men in their world, believing she can leave anytime she likes. But Barnum has never given up a money-making scheme in his life, and he’s determined to hold on to his mermaid.”Beautifully written and daringly conceived, The Mermaid is a fabulous story, in both senses of that word. It’s full of magic and passion and courage, set against a convincing historical backdrop in which women, much less mermaids, have only the power they seize for themselves. Henry’s spare, muscular prose is a delight. I loved this novel.”—Louisa Morgan, author of The Secret History of Witches

“There is a current of longing that runs through The Mermaid: longing for the sea, for truth, for love. It is irresistible and will sweep you away.”—Ellen Herrick, author of The Sparrow Sisters

“In her latest novel, The Mermaid, Christina Henry weaves a captivating tale of an intriguing young woman who finds herself in the world of the greatest showman, PT Barnum. Original and magical, this is a novel to dive into and savour.”—Hazel Gaynor, New York Times bestselling author of The Cottingley Secret
 
“Beautifully eloquent language…the credible historical setting will draw readers into this lovely reimagined fairy tale.”—Booklist (starred review)

Praise for Lost Boy

“Christina Henry shakes the fairy dust off a legend; this Peter Pan will give you chills.”—Genevieve Valentine, author of Persona

“A riveting rewrite of Peter Pan…Never wanting to grow up, never wanting anyone else to grow up, doesn’t look like such an innocent and charming ambition anymore.”—The Wall Street Journal

“Multiple twists keep the reader guessing, and the fluid writing is enthralling…Henry immerses the reader in Neverland and genuinely shocks…This is a fine addition to the shelves of any fan of children’s classics and their modern subversions.”—Publishers Weekly

“This wild, unrelenting tale, full to the brim with the freedom and violence of young boys who never want to grow up, will appeal to fans of dark fantasy.”—Booklist

“Turns Neverland into a claustrophobic world where time is disturbingly nebulous and identity is chillingly manipulated…a deeply impactful, imaginative and haunting story of loyalty, disillusionment and self-discovery.”—RT Book Reviews

“Once again, Henry takes readers on an adventure of epic and horrific proportions…Her smooth prose and firm writing hooked me up instantly and held me hostage to the very end.”—Smexy Books

“We all have a soft spot for the classics that we read when we were growing up. But…this retelling will poke and jab at that soft spot until you can never look at it the same way again.”—Kirkus Reviews

“Lost Boy owes more to William Golding’s Lord of the Flies than it does Barrie, as Henry examines the darker side to leaving a bunch of boys to fend for themselves… This audacious and gripping treatment of this well-known story is expertly told by Henry’s emotive, evocative prose.”—Starburst Magazine

“Lost Boy is a fantastic adventure story with a Lord of the Flies sensibility… Henry’s writing is among the most substantive and touching in the fantasy genre.”—I Smell SheepChristina Henry is the author of Lost Boy, Alice, Red Queen, and the national bestselling Black Wings series featuring Agent of Death Madeline Black and her popcorn-loving gargoyle, Beezle.Chapter 1

Once there was a fisherman, a lonely man who lived on a cold and rocky coast and was never able to convince any woman to come away and live in that forbidding place with him. He loved the sea more than any person and so was never able to take a wife, for women see what is in men’s hearts more clearly than men would wish.

But though he loved the freezing spray on his face and the sight of the rolling clouds on the horizon, he still wished for somebody to love. One evening after a long day, he pulled up his net and found a woman in it-something like a woman, anyway, with black hair and eyes as grey as a stormy sea and a gleaming fish’s tail.

He was sorry that she was caught and told her so, though the storm in her eyes rolled into his heart. She stopped her thrashing and crashing at his voice, though she did not understand his words. The fisherman loosed her, and she dove back into the water the way a wild thing returns to a wild place, and he watched her go.

But her eyes had seen inside him the way that women’s eyes do, and his loneliness snaked into her, and she was sorry for it, for that loneliness caught her more surely than the net.

She swam away from his boat as fast as she could, and she felt his loneliness trailing between them like a cord. She did not want his feelings to bind her, to pull her back to him, so her tail flashed silver in the water and her eyes looked straight before her and never behind.

But though she didn’t look back, she felt him watching, and she remembered the shape of his boat and the rocky curve of the land not too far off and the lines around his eyes, eyes that were as dark as the deep sea under the moon. She remembered, and so she returned again to watch him.

She was called a name that meant, in her own tongue, Breaking the Surface of the Sea. When she was born, she’d come in a great hurry, much sooner than all of her six older sisters and brothers. The attendant who’d aided her mother had been astonished when she tried to swim away before the cord that bound her to her mother was cut.

Her mother and father and siblings spent most of her childhood trying to find her, for she was never where she ought to be. She was warned repeatedly of the dangers of the surface and of the men who cast nets there, and of their cruelty to the denizens of the ocean.

They should never have told her, for in the telling she wanted to know more, and wanting to know more led her farther and farther afield.

Her home was deep in the ocean, far away from the land that pushed up against the water on either side, and this was because her people feared the men with their hooks and their nets and the boats that floated on the surface of the waves as if by magic. The storytellers told of silver fins caught by cruel metal and dragged to the decks of ships, where blood ran red and spilled back into the water, calling things that swam the ocean in search of dying creatures.

Sometimes there was a storm, and that storm would batter a ship to pieces and the men would fall into the water and sink, sink, sink to the bottom-the lucky ones, that is. The unlucky ones were devoured by roaming hunters with their silver-grey bodies and black eyes and white, white teeth.

When the ships were sunk, the mermaid would go to the wreckage and explore, and pick up odd things that humans used, and wonder about them. And then one of her brothers or her parents would find her, and she would be chided for her foolishness and dragged home by her wrist, staring with longing over her shoulder all the while.

One day she was swimming near the surface-far too near the surface, her family would have said-and saw a large, large ship of a sort she had never seen before. On the prow of the ship she saw a strange thing.

It looked like her-like a mermaid, but frozen and sealed to the ship.

She swam alongside the ship for a long time, trying to see how the sailors had bound this mermaid to their craft. It was not easy, for the proximity of the ship necessitated keeping out of sight of the sailors. She would break the surface to catch a glimpse of the other mermaid and then would be forced to plunge below the water again before she was spotted.

There was a fine wind and all the sails were full, and so the ship clipped along the surface, and after a time the mermaid grew tired. But she wanted to see, she wanted to know, and so she followed and followed even when she could no longer stay alongside. Her tail started to drag, and her swimming slowed, and then suddenly the ship was far ahead of her, disappearing over the flat line of the horizon.

And the mermaid was alone, and far from home, and did not know how to find her way back again.

This ought to have made her sad, or frightened, or any number of other distressed feelings. But while she was sorry she might never see her family again, she wasn’t as upset as she should have been.

Rather, she felt the freedom to go where she chose and do what she chose. Yes, there would be consequences (she was not so silly as to think there wouldn’t be), but they would be her choices and her consequences and not the ones laid out for her by someone else.

Freedom was far more intoxicating than safety could ever be.

She wanted to see and know more than she ever could at the bottom of the ocean. So she swam after the ship, because the ship would go to land, and the mermaid had never seen land before.

And so she crossed the ocean and came to the place where there was land. The mermaid spent many days watching the people on shore and the ones who came out to the sea on boats. Always, always she was careful to avoid the hooks and lines and cages and nets, because she had found her freedom and she loved it, and she would not be bound to someone else’s will again.

Until the day she was busy trying to loose a fish caught on a hook, and it was shaking and fighting and she was trying to help, but it was too panicked to let her. She didn’t see the net come down from above, and then she was caught.

She panicked then too, just like the fish she’d been trying to aid; she thrashed her tail, pulled with all her might, but all her thrashing entangled her more securely than before until she was hauled, furious and weeping, to the surface.

His eyes were dark and full of surprise when they saw what was in his net. Surprise, and wonder, and then a little sadness that she almost missed. When he raised the knife, she was sure he would fillet her then, but he only spoke some words she did not understand and cut away that which bound her.

She swam away and wondered about the man who’d let her go.

That night, the fisherman watched the sea from his cottage, which was perched on the rocks above a small cove where he tied up his boat at night. It was cold, for it was coming on winter and it never really was warm in the North Atlantic anyhow. He buried his hands in the pockets of his coat and stared out at the churning mass of water and looked for her under the moon. But though he turned his head at the sound of every faint splash, he did not see that which his heart most longed for-the sight of her fin silhouetted against the moonlight.

He’d likely been a fool to let her go. Nobody would believe the story if he told it, and he wasn’t about to make a fool of himself down at the tavern in the village. He was old enough to be past the bragging flush of youth, though not so old that he would have minded seeing the light of wonder in their eyes had he brought a mermaid home.

He could never have done it. That he knew for certain. He could not have taken that wild thing that looked on him with such wild eyes and forced her to stay with him, to make her a prisoner, to profit by her hurt.

She hadn’t looked as he expected her to, the way he’d been told since he was a boy listening to tales that a mermaid should look. Those stories spoke of pale bare-breasted women with long flowing hair, human women in every way except for their tail fin.

What he’d caught in his net had been far more alien, a creature covered in silver scales all over, with webbing between its fingers and teeth much sharper than any human’s. But her eyes had been a woman’s, and they’d looked into his heart as a woman’s eyes do and seen all the loneliness there.

He’d felt in that moment that his heart was visible outside his chest, that if she’d wanted, she could have grasped it in those long scaly fingers and taken it away with her.

Then he’d come to his senses and loosed her because he knew he should and the state of his heart was no concern of the mermaid’s.

But still he watched the water in hope, for the dearest wish of all fishermen is to see a mermaid, to brush up against something magical and hope some of that magic would stay with him for always.

He watched and watched, but he did not see her.

When finally the moon was past its zenith, he put away his dreams and went inside to sleep. He knew he would never see her again and in his own practical way thought at least he’d seen her one time. That was more than most fishermen. He’d touched magic, and he should not want for more.

He did not see her, but she watched him from beneath the water near his cottage, and she knew he was looking for her. She couldn’t say how she knew this except that his eyes had been a little sad when he let her go. His loneliness had burrowed into her heart, and the ache of it burned inside her.

The mermaid had heard stories, spoken-under-the-breath-in-secret-places stories, about those of her kind who had left the deep and walked upon land.

There was no special magic about this unless you considered that mermaids were magical in and of themselves; the mermaid did not consider herself anything special because she had always known her own kind.

In those stories, those secret stories, the mermaid only had to touch dry land and her fin would be transformed into legs to walk about. If she touched the water of the sea again, her fin would return.

The mermaid had never wished to walk upon land before, but suddenly she found she wanted this with all her heart. She could think only of all the things she’d never seen that were hidden past the shore: all the people and all the things for which she had no name and wanted to name so she could place them in her memory and keep them there.

It was dark, even with the moon, and there was a stretch of sandy beach hidden in the rocks, a little cove where the fisherman tied up his boat at night.

The mermaid thought she would swim to that place and touch the dry shore and see if the stories were true. Her heart was bursting with anticipation-how wonderful, how free, how perfect it would be if she could pass between the shore and the sea. Not like a man did, of course-men swimming in the water were awkward, flopping things with their limbs splashing out in all directions.

No, she would be as lithe as a fish in water and graceful as a human on land and all the world would be open to her. All the world and its wonders, and she would see them, every one.

She swam into the cove, and when her head rose above the water she saw the jagged rocks rising on either side and the boat nestled inside. Beside the boat was a small wooden pier and a short beach that connected to a set of steps leading up to the fisherman’s cottage.

There were no lights in the cottage, and the mermaid was certain the fisherman was inside and asleep and would not look out and see her there. Even if he did, she reasoned, he would only see a shadow moving against another shadow-the light of the moon did not reach this place.

The mermaid swam to the shore, until she could feel the wet sand dragging beneath her fin and she could no longer kick up and down for there wasn’t enough water. She reached for the dry land just beyond the lapping waves-reached, and then paused.

What if it did not work? What if those stories, those always-whispered stories, were not true? What if her heart longed always for the land and for the man with the lonely dark eyes and she was to never, ever have what she wished for?

For some the possibility of failure would be a check, would make them turn back to the familiar. Not the mermaid. She had to know, and the only way to know was to reach out, to touch the shore.

Her fingers brushed the dry sand, and she reveled in the wonder of it, of the feel of each grain as it passed through her hands free and unencumbered by water. It made her laugh out loud, to touch this thing she’d never touched before.

And then she felt a horrible wrench deep in her gut, and a tearing in her fin, and she tried to cry out but it was caught in her throat. This was terrible, terrible, there was no wonder here at all-only pain and then cold, the most profound cold she had ever known. The waves lapped against her bare legs, and she could feel the chill of the ocean. She had never felt the ocean’s cold before. It seemed to sink into her blood and marrow and freeze her from her muscles and bones out to the delicate skin that covered her instead of scales.US

Additional information

Dimensions	0.8800 × 5.4800 × 7.0100 in
Imprint	Berkley
ISBN-13	09780399584046
ISBN-10	0399584048
Author	Christina Henry
Audience	General / adult
BISAC	FIC044000, FIC010000
Subjects	widow, gifts for women, historical fiction, dark fantasy, historical fantasy, superstition, fairytales, maine, mermaid, circus, science fiction and fantasy, fantasy novels, shapeshifter, adult fairy tale, atlantic ocean, freak show, fisherman, mermaid gifts for women, mermaid gifts, disney books for adults, novels, women, fiction, fairy tales, fantasy, fairy tale, folktales, new england, Mermaids, FIC044000, Mythology, New York City, folklore, fantasy books for adults, FIC010000, mermaid book, mermaid books, fairytale, fantasy books, women's fiction