The Cubans

Description

“[DePalma] renders a Cuba few tourists will ever see . . . You won’t forget these people soon, and you are bound to emerge from DePalma’s bighearted account with a deeper understanding of a storied island . . . A remarkably revealing glimpse into the world of a muzzled yet irrepressibly ebullient neighbor.”–The New York Times

Modern Cuba comes alive in a vibrant portrait of a group of families’s varied journeys in one community over the last twenty years.

Cubans today, most of whom have lived their entire lives under the Castro regime, are hesitantly embracing the future. In his new book, Anthony DePalma, a veteran reporter with years of experience in Cuba, focuses on a neighborhood across the harbor from Old Havana to dramatize the optimism as well as the enormous challenges that Cubans face: a moving snapshot of Cuba with all its contradictions as the new regime opens the gate to the capitalism that Fidel railed against for so long.

In Guanabacoa, longtime residents prove enterprising in the extreme. Scrounging materials in the black market, Cary Luisa Limonta Ewen has started her own small manufacturing business, a surprising turn for a former ranking member of the Communist Party. Her good friend Lili, a loyal Communist, heads the neighborhood’s watchdog revolutionary committee. Artist Arturo Montoto, who had long lived and worked in Mexico, moved back to Cuba when he saw improving conditions but complains like any artist about recognition. In stark contrast, Jorge García lives in Miami and continues to seek justice for the sinking of a tugboat full of refugees, a tragedy that claimed the lives of his son, grandson, and twelve other family members, a massacre for which the government denies any role. In The Cubans, many patriots face one new question: is their loyalty to the revolution, or to their country?

As people try to navigate their new reality, Cuba has become an improvised country, an old machine kept running with equal measures of ingenuity and desperation. A new kind of revolutionary spirit thrives beneath the conformity of a half century of totalitarian rule. And over all of this looms the United States, with its unpredictable policies, which warmed towards its neighbor under one administration but whose policies have now taken on a chill reminiscent of the Cold War.“[A] remarkable book . . . DePalma anchors all of the historical touchpoints in the powerful stories of the people we meet . . . Cary, Lili, Jorge, and the others have risked a great deal to share their stories. Flipping through the many dog-eared pages of my copy of this book, I wondered: What was in it for them? I decided, finally, that they simply wanted to be heard. They wanted readers to know that they may have traveled different paths through post-revolutionary society, but they continue to confront their challenges the same way—with pride, ingenuity and strength, and they remain resolutely Cuban.”—The Wall Street Journal

“DePalma vividly depicts the lives of several families in modern Cuba. DePalma’s writing is evocative and detailed, and the reader feels as though they are walking alongside the people whose aspirations and dreams he so poignantly highlights. The country comes alive with each sentence, and the end result is an homage to Cuba and the Cuban people that is both heartbreaking and hopeful.”—The Washington Post

“In his thoroughly researched and reported book, replete with human detail and probing insight, [DePalma] renders a Cuba few tourists will ever see . . . You won’t forget these people soon, and you are bound to emerge from DePalma’s bighearted account with a deeper understanding of a storied island . . . A remarkably revealing glimpse into the world of a muzzled yet irrepressibly ebullient neighbor.”—The New York Times

“In this beautifully crafted work of reportage . . . DePalma takes the reader on a tour of the glorious triumphs and ardent idealism of the early days of the Cuban Revolution, the dark years of the post-Soviet economic collapse, the revived hopes occasioned by the thaw of U.S.-Cuban relations under U.S. President Barack Obama, and now the seemingly endless days of deprivation.”—Foreign Affairs

“DePalma tells the vivid story of communism through the eyes of several generations of Cubans. He includes telling details, such as the pantomime of stroking imaginary beards before criticizing the government, to avoid retribution for mentioning Castro’s name. DePalma shows what life was like, and is like, for Cubans.”—The Christian Science Monitor, “The 10 best books of June”

“For all that’s been written about revolutionary Cuba, I know of no book that more vividly describes the interior of the contemporary Cuban experience. The ordinary people who share their struggles with Anthony DePalma have seen the “bright promise” of revolution give way to the “dingy hardship” of real life. DePalma strips the Cuba story of its shabby ideological pretensions, but beneath the surface finds Cubans who still care for each other and whose resilience defines a patriotism all its own.”—Tom Gjelten, author of Bacardi and the Long Fight for Cuba

“An unvarnished look at revolutionary Cuba . . . The Cubans doesn’t dwell much on Fidel and Raúl Castro . . . Instead, it is about resilient and resourceful individuals who seem to innately know from birth how to “resolver”—creatively resolve their predicaments—to survive. The individuals DePalma writes about are not ordinary at all, but complex, three-dimensional people, drawn with a nuanced and empathetic hand.”—ReVista, Harvard Review of Latin America

“This elegantly written chronicle of the intertwined lives of five average Cubans and their families gives an unofficial, and thus potentially truer, account of the challenges for people who, DePalma writes, have an “excess of prohibitions and a minimum of inhibitions.”—New Jersey Monthly

“DePalma’s fictionlike narrative moves thematically (Realization, Reconciliation, etc.), and the author is especially good at revealing the stunning adaptability of a people thwarted at seemingly every turn. An obvious labor of love, years in the making, featuring meticulous research and an elegant narrative style.” —Kirkus Reviews (*starred review*)

“A rich, intimate, evenhanded narrative that reveals the Cuban people’s resilience and resourcefulness amid oppression.”—Library Journal

“A sensitive portrait… In impressively specific detail, DePalma captures the suffering and resilience of ordinary Cubans caught between the political posturing of their government and the U.S. Readers will savor this intimate, eye-opening account.”—Publishers Weekly

“A bracing insight into human perseverance.” —Booklist
 
“Finally, a book not about Fidel, Raúl, or Ché Guevara, but about Cary, Pipo, Oscar, and other ordinary Cubans who tell not the history we have been fed for years but the real, remarkable, and complicated stories of people living with what Anthony DePalma aptly describes as the ‘interminable revolution.’ DePalma has surely become the best chronicler of Cuba today.” —Mirta Ojito, author of Finding Mañana: A Memoir of a Cuban Exodus

“Amid all the overnight experts on Cuba who rarely venture beyond Havana, Anthony DePalma stands apart, offering a profound and eloquent book that is destined to become a classic. With his astute journalist’s eye and an open heart, DePalma earned the trust of cubanas and cubanos as few outsiders have. An essential testimony as Cuba moves into an uncertain future.”—Ruth Behar, author of An Island Called Home: Returning to Jewish Cuba

“An extraordinary and poignant portrait of Cuban identity and the lives of a compelling group of people living in modern Cuba, Anthony DePalma’s The Cubans is a masterpiece. DePalma beautifully and powerfully illustrates what it means to be Cuban while transporting readers to walk the streets of Guanabacoa where residents are constantly forced to navigate an ever-changing harsh reality. Heartbreaking, hopeful, and vividly rendered, this is an intimate and eye-opening must-read for anyone interested in Cuba.”—Chanel Cleeton, author of Next Year in Havana

“Indispensable for anyone trying to understand the warmth, spirit and ’national insanity’ of the Cuban people and all they have been through over the last 60 years. It reads like a historical novel, with compelling characters, hurricanes and the murder of children on the open seas. But this balanced, non-ideological and meticulously-reported story is all true.”—Jonathan Alter, author of The Center Holds: Obama and His Enemies
 
“If you want to know what the real Cuba is like for its natives—as opposed to the synthetic Cuba experienced by most tourists—this book will take you there, to that unique labyrinth of ruins where truth is as elusive as comfort or the bare necessities of life.  Unflinchingly objective, yet suffused with poetic empathy for the complex characters whose lives it chronicles, Anthony DePalma’s narrative reads like the best of novels.  Uplifting and devastating at the same time.”—Carlos Eire, author of Waiting for Snow in Havana

“Forget the travel books that guide your wanderlust to the best mojito bars and cigar shops in Cuba. Forget the academic history tomes that leave you heartlessly informed. Forget the coffee table books of glossy photos that vicariously play on your romantic notion of Havana’s ruins. Forget the media that polarizes your perception of the island through an anachronistic liberal or conservative lens. If you honestly want to feel Cuba—not just understand it—then read The Cubans. Finally, a book that demystifies Cuba through the brilliance of DePalma, who knows that a nation is merely an idea subject to infinite abstraction, until it is grounded in the lives of its people and their rich and varied stories that are sadly—and almost inevitably—lost in the crosshairs of ideology and crossfire of power. With the eye of a poet, the perceptiveness of an ethnographer, and the heart of an emotional historian, DePalma renders Cuba through the spirit of Cubans as they have always been, as they are now, and as they will always be, regardless.”—Richard Blanco, Presidential Inaugural Poet, author of How to Love a Country
Anthony DePalma is the author of The Man Who Invented Fidel and Here: A Biography of the New American Continent. He was a foreign correspondent for The New York Times focusing on Latin America for twenty-two years, and continues to write for the newspaper as well as other publications.

CHAPTER 1

Tacajó, Oriente Province
1940
 
Anyone who lived in the Cuban jungle in the 1940s knew that with the humidity and infernal heat seeping under, around and into everything, ants would get into the bread no matter what you did. Tie it up in a bag and hang it from a nail and before long there’d be a conga line of ants climbing straight up the wall like they had formal invitations to dinner. As a poor teenage girl in the sugar mill town of Tacajó, deep in Cuba’s wild Eastern end, Zenaida Ewen went only as far as the sixth grade in the mill town’s school, where classes were taught in English and a little Spanish for the children of the Jamaicans who worked there. But she had watched her mother put bread on the stove and she knew that keeping it close to but not in the flames drove drive out the ants before dinner was served.

Jamaicans had lived  in Tacajó since the mill began grinding sugar cane in 1917. They came during the boom years following the Spanish-American War when foreign money—mostly American dollars–poured into the island. Cuba hadn’t come out of its war as the fully independent nation that many had fought for, but for those who did business with the North Americans, times were good, especially in Oriente province. The fertile mixture of sun, soil and rain made land there ideal for growing things, including the dense fields of sugar cane that for a time made Cuba the world’s biggest supplier, and cemented sugar so firmly into the economy of the country that people grew fond of saying “Without sugar, there is no country.”

Turning oceans of green stalks into the white sugar crystals that sweeten coffee and cake around the world has been back breaking work since the first cane fields were harvested centuries ago. By the early 19th Century, African slaves were dragged in to do the work but Spain, Cuba’s colonial master for 500 years, never allowed as many slaves into Cuba as were brought to other Caribbean islands. The slave trade was abolished in Cuba in 1820 but it wasn’t until 1879 that the institution of slavery ended. British historian Hugh Thomas surmised that the Cuban upper class almost certainly would have pushed harder for full independence from Spain “had it not been for anxiety about their slaves, and the specter of Haiti.” After the USS Maine was sunk in Havana harbor in 1898, and the U.S. jumped into Cuba’s long-running independence war, Spain was forced to give up its prized colony. Cuba became a republic but one saddled with ambiguous democracy, incompetent leadership and a legacy of racial prejudices that has never been fully erased.

With the influx of foreign investment in the early 20th century, the Tacajó Sugar Corporation, headquartered in New York, grew rapidly and prospered. The United Fruit Company, with operations nearby, also expanded aggressively, buying from local growers like Angél Castro, a Spanish soldier who settled in Cuba after the war ended and who was amassing a fortune on Manacas, his 20,000-acre plantation not far from Tacajó. Such a shortage of labor developed that the Cuban government in 1922 authorized Tacajó Sugar and United Fruit to import thousands of contract workers to help with the harvest, expecting to send them back home after the season ended. Most were Haitians or Jamaicans. Many never left.

Zenaida’s mother, Sarah Ann Ewen, was 29 when she received her Jamaican passport in 1922 and made the trip from Kingston to Cuba, drawn by the image of a Cuba filled with opportunity. She landed in Santiago and then made her way overland to Tacajó where she had heard about the good life that Jamaicans had discovered there. The lush valley around the sugar mill reminded her of home but it was no paradise, especially for a single mother with little education and no skills. Most of the streets were unpaved, sanitation was crude, and the cycle of work at the sugar mill meant periods of intense labor followed by months of dead time. That was if you had a job. Sarah needed to find one, and fast. Women didn’t work in the mills then, but they cooked and cleaned, which Sarah could do. She started washing clothes  for the single men who lived  in broken-down dorms. Later  the mill’s Cuban doctor took her in as a domestic servant to help his wife run their big house near the main entrance to the mill. It was a step up for Sarah, an opportunity to create a better life for her children, and she was determined to make the best of it. But in 1941, when she was just 47,  she suffered a fatal heart attack that left her two young children, Zenaida and her brother Cleveland, orphans. Neighbors in Tacajó took them in. 

Whether out of pity or necessity, the Cuban doctor agreed to let Zenaida take her mother’s place even though she was only 13, spoke halting Spanish and had never worked as a domestic servant. One day, Zenaida was cleaning a crystal bowl filled with candy when she noticed ants crawling inside. She knew that if the doctor’s wife saw the ants, she’d be fired. She remembered what her mother had told her about putting bread near the stove and did the same with the candy dish. The flames drove away the ants, but the heat shattered the crystal. When the doctor’s wife found out what happened she scolded Zenaida harshly and called her a stupid, stupid girl. 

Zenaida swore she’d never be humiliated like that again.

When the doctor left his job, Zenaida worked for the new medic’s family. Her life continued that way, moving from family to family, secretly harboring a dream to one day become a doctor herself. When one of the families she worked for moved to Havana in 1947, Zenaida decided to go  with them. She was 19 and believed life would be better in the capital. It didn’t take her long to realize that a young black woman with no education had no business dreaming of becoming a doctor no matter where she lived. After a few years in Havana she’d had enough, but instead of returning to Tacajó she decided to try her luck in the city of Guantánamo. She’d heard that the American Naval Base hired Cubans and treated them well, and more so if they spoke English.

Zenaida found work at a nursery school on the base. Every day she took a ferry across the bay to the American side, being sure to sit on the side of the ferry reserved for blacks. She made good money and she spent some of it on gold jewelry that she kept as insurance, just in case things did not work out.  She caught the eye of a young cabinet maker from Haiti named Aristede Limonta who also worked with the Americans. He was dark and handsome, with a husky sex appeal that years later she’d compare to the American singer Barry White. They fell in love and moved into a small wooden house on the corner of Cespedes and Eighth on the south side of the city of Guantánamo. When Zenaida became pregnant she made a sacred vow to the Virgin of Caridad del Cobre, Cuba’s patron saint whose sanctuary sits on a hill outside the city of Santiago. If the baby is a girl, she promised, her name will be Caridad.

For a short time, Zenaida believed she had succeeded in putting the humiliation at the doctor’s house behind her, but there was trouble ahead. Aristede started making eyes at other pretty young women. Zenaida tried to ignore it. When her water broke, and Aristede hired a horse and buggy and rushed her to the hospital in Guantánamo. On December 18, 1956, she delivered the baby–a girl—but then the midwife told her another baby was on the way.

I can’t have another one, not now, she told the nurse. I’m having trouble with the father.
Trouble or not, she was having twins.

Ten minutes later, a second baby girl was born. For Aristede’s family, having twins was nothing unusual. His great grandmother María was said to have given birth to five sets of them. 
                                         
Seventeen days before the twins were born, Fidel Castro and 81 of his rebels had beached an old American yacht called Granma on an almost impenetrable mangrove swamp on Cuba’s southern coast. It was the calamitous start of their armed struggle to overthrow Fulgencio Batista, Cuba’s dictator who, with the solid backing of Washington, had ruled for decades. Then, at the same time that Aristede was promising to help Zenaida care for her infant daughters, Batista was boasting that the trouble-making Castro brothers had been killed in the landing along with nearly all the invaders.
           
Both Aristede and Batista  were lying.

Zenaida fulfilled her vow to the Virgin of Charity and named her first baby girl Caridad Luisa. She called the other Esperanza Caridad. Hope and Charity. Charity and Hope. By now she was well aware of Aristede’s womanizing, and she felt betrayed. But with twins to care for she was willing to turn her cheek and give him another chance. All four of them lived together for about three months. Then one night after he’d had too much to drink, Aristede hit her.

Hurt, angry, and feeling like she’d once again been humiliated,  she put her babies in a basket and went around the tiny house grabbing what she could of their possessions. But the gold jewelry that she had scrimped to buy, that was supposed to be her insurance just in case something like this happened, was sitting in a cabinet on the other side of the bed, where the drunken Aristede was passed out. She couldn’t chance waking him and getting hit again. Or worse, getting into a fight over the babies.

Zenaida slipped out without the jewelry and took the girls to the house of one of her mother’s Jamaican friends. When the babies were a few months old, she tried to go  back to work but on her first day she ran into Aristede on the ferry. He started yelling so everybody could hear, blaming her for running away with his babies and keeping him from seeing them.

Let me off, she shouted, and the ferry pilot slowed the engine. Back on shore, she sent a telegram to her brother, Cleveland, telling him to meet her at the train stop at Manguito, outside Tacajó, because she was coming home. She never recovered her jewelry and she never married, but she would always insist that Aristede had been the first and only true love of her life. Still, for decades afterwards, whenever she heard any song by Barry White on the radio, she’d leave the room.
A single mother, 27, with no job, no skills and no place to live, she was left with nothing but her two girls and her own determination that they would never be abused the way she had been.
Reluctantly, she went back to the house of Carmen Caro, the woman who had taken her in after her mother’s death, and knocked on the door. She was embarrassed to tell her that she had failed in everything she’d tried since she had left Tacajó years before, and now she had no one else to turn to. Carmen had a large family of her own, with many children –including a little girl they called Cuka–and grandchildren all living under the same roof. But she was a generous soul and made room in the big old house for them.

In the mountains not far from Tacajó, Fidel had revealed to the world that Batista had lied about the landing. He and most of the men with him had indeed been strafed as they wrestled through the mangroves, but once they gained their footing on the beach they managed to make  it into the dense forest of the Sierra Maestra where they regrouped. Early in 1957, he called dozens of his followers together to finalize plans for an armed uprising to overthrown Batista, leaving somewhat vague just what would happen if, against all odds, they managed to usurp the dictator. Before that meeting started, Fidel talked to an American newspaper correspondent from The New York Times that his men had smuggled into the mountains. When the reporter, Herbert L. Matthews, returned to New York days later he wrote a series of sensational articles that revealed to the world not only that Fidel was alive, but that he was winning the war against Batista—a gross exaggeration in 1957. Matthews portrayed Fidel in glowing terms, painting him  as a Cuban Robin Hood, a heroically impressive young lawyer  with a scraggly beard who promised to  restore constitutional government and hold elections.

Some of the fighting was taking place in the mountains around Tacajó, but Zenaida was too busy taking in laundry for mill workers and raising her girls to get involved in Castro’s struggle. But he and his movement were  having great success attracting many followers, and by the middle of 1958, when the U.S. finally cut off arms sales to Batista’s  government, there was little doubt that the dictator’s  days were numbered. Early on the morning of January 1, 1959, Batista  loaded a few planes with millions he looted from the national treasury and, with his family and a few aides, fled to safety in the Dominican Republic.

Like most Cubans, Zenaida rooted for Fidel, then just 32, as he took over the entire country. She believed him when he promised that he was going to make life better for all Cubans, regardless of their race or gender. When Fidel set up his national system of watchdogs called the Committee for the Defense of the Revolution, she became an active member. She also joined the Federation of Cuban Women founded by  Raúl’s guerrilla wife, Wilma Espín. When the government opened a small health clinic inside the home of the former director of the sugar mill, she got a job mopping floors and changing sheets. It wasn’t much compared to her dream of becoming a doctor, but for her and her little family, it was a step up, a big one.

The Americans who had run the sugar mill scurried home when the mill was nationalized in 1960. The Cubans who took over made sure its bellowing smokestacks and daily rhythms continued to dominate life in Tacajó. They kept the phone system linking the home of every worker to the central office functioning and saw to it that the mill’s whistle bellowed at the start and end of every shift, a deep vruuuum – like a hole in a gigantic muffler–that, in the dim light of dawn, with roosters crowing and frogs croaking, woke Zenaida and the girls to the challenges of each new day.
They lived in a cuartería, a long row of 10 tiny apartments, each no more than a single room. The latrine was in the woods a few steps away. They were there when Hurricane Flora came crashing toward them in 1963. It was a powerful storm, one of the deadliest ever. By the time Zenaida heard the warnings on  her little transistor radio, the wind and rain were  almost on top of them. The clinic needed her, so she took the girls, not yet seven, out of the wooden cuartería and left them with a friend who lived in a sturdy masonry house near the clinic. The girls watched from the open front door as she inched her way up the wind-blown street toward the clinic, grabbing  onto a bougainvillea fence to keep from being blown off her feet. Frightened that she might never come back, they tried to comfort each other through the long night. As the sky churned with gray clouds and the stars disappeared, Cary sang a song that Mr. Pedrozo, her fourth-grade teacher, had taught the children in chorus: Ask the stars if at night they see me cry.

When Flora finally veered off into the Atlantic, and Zenaida was allowed to leave the clinic, she took the girls home. Flora had completely flattened one end of the cuartería. The walls of their section were still standing, but the roof had been torn off and the heavy rains had soaked the big armoire that was packed with everything they owned. They gathered what they could save and, once again, moved in with friends.

As Tacajó rebuilt, Zenaida became a fixture in the clinic. In 1968 she enrolled in a training program for nurses’ assistants at a hospital in the city of Holguín. When the nine-month program ended, she returned to Tacajó with a new title and a plan for the future. In the local clinic where she once washed floors, she was now had a job as an auxiliary nurse. She came to be known, and feared, for ruthlessly giving injections to all, sticking everyone from the bravest to the most  squeamish without the slightest hesitation or sympathy. But she also endeared herself to the people of Tacajó for the big heart she opened to everyone.

US

Additional information

Dimensions	0.7700 × 5.4500 × 8.3900 in
Imprint	Penguin Books
ISBN-13	09780525522461
ISBN-10	0525522468
Author	Anthony DePalma
Audience	General / adult
BISAC	POL057000, TRV007000
Subjects	gifts for history buffs, political science books, travel gifts, TRV007000, history gifts, history book, latin american history, libros, political philosophy, world politics, political books, historical books, cuba book, cuban history, POL057000, cuba books, habana, anthony depalma, the cubans by anthony depalma, refugee book, Travel books, politics, travel, political science, history books, world history, communist, bucket list, government, carribean, history, travel book, geopolitics, Cuban, Havana, Cuba, armchair traveler, Fidel Castro, Castro