A provocative and unconventional call to dispossess the self of itself Challenging the contemporary notion of “self-care” and the Western mania for “self-possession,”
The Comic Self deploys philosophical discourse and literary expression to propose an alternate and less toxic model for human aspiration: a comic self. Timothy Campbell and Grant Farred argue that the problem with the “care of the self,” from Foucault onward, is that it reinforces identity, strengthening the relation between
I and
mine. This assertion of self-possession raises a question vital for understanding how we are to live with each other and ourselves: How can you care for something that is truly not yours?The answer lies in the unrepresentable comic self. Campbell and Farred range across philosophy, literature, and contemporary comedy—engaging with Socrates, Burke, Hume, Hegel, Marx, Nietzsche, Heidegger, Derrida, Deleuze, and Levinas; Shakespeare, Cervantes, Woolf, Kafka, and Pasolini; and Stephen Colbert, David Chappelle, and the cast of
Saturday Night Live. They uncover spaces where the dispossession of self and, with it, the dismantling of the regime of self-care are possible. Arguing that the comic self always keeps a precarious closeness to the tragic self, while opposing the machinations of capital endemic to the logic of self-possession, they provide a powerful and provocative antidote to the tragic self that so dominates the tenor of our times.
Timothy Campbell is professor of Italian at Cornell University. He is the author of
Improper Life: Technology and Biopolitics from Heidegger to Agamben and
Wireless Writing in the Age of Marconi (both from Minnesota).Grant Farred is author of several books, including
An Essay for Ezra: Racial Terror in America,
Martin Heidegger Saved My Life, and
Only a Black Athlete Can Save Us Now (all from Minnesota).
ContentsPreface: The Art of Self-DispossessionIntroduction: The Fallacy of Self-Possession1. The Sunset of the Self2. Renunciation and Refusal = Rupture and Rapture3. Elide Tragedy4. The Comic Self Is Not Comic5. “I Think”6. David Hume: The Master Critic of Identity7. Temporality contra Cogito Ergo Sum8. From a Terminal Walk to a Tightrope Walker9. Don Quijote’s Comic Selves10. The Unequal11. Tragic RepetitionAcknowledgmentsNotesIndex
"Intelligent, persuasive, and compelling, The Comic Self transcends disciplinary boundaries, hovering somewhere between philosophy, theory, and criticism. Timothy Campbell and Grant Farred offer a clear notion of the comic self that they then proceed to brilliantly embody in their own writing, ingeniously defining the comic self not in sheer opposition to the tragic self but in a kind of dialectical relation against it."—Dimitris Vardoulakis, author of Spinoza, the Epicurean: Authority and Utility in Materialism"A bracing and beguiling set of reflections, intense and playful, on the possibilities and parameters of the comic self. The authors make a passionate and principled plea for dispossession, with one eye trained on its genealogy and another on its charged present, real and virtual."—Ian G. Balfour, York University
"You can’t reassure the frightened child. Your letter must add to the child’s terror. Welcome to the world of racism in America. Brilliantly original, mixing Heidegger and Chappelle, Grant Farred proves that Baldwin’s genre has not exhausted its magical potential to provoke and instruct. By a mysterious dialectical legerdemain, he bestows on his son an unlikely endowment: a sort of Afro-optimism, both outraged and salvific."—Bruce Robbins, author of The Beneficiary"Phrased as an epistle to his young son, Grant Farred's An Essay for Ezra grapples with difficult loci of racial violence in U.S. culture and in various philosophical traditions, from the Black exile of Baldwin to Heideggerian questionability of self. He proposes new genealogies and new problems for struggles of becoming and judgment amid the perpetual crisis that is the American racial order."—Rei Terada, University of California, Irvine
Additional information
| Weight |
1 oz |
| Dimensions |
1 × 6 × 9 in |
