The Carter of ‘La Providence’
$15.00
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Description
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré
A tragic tale of lost identity, and a mystery that only Inspector Maigret can solve
“What was the woman doing here? In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes! She must have been alive when she got there because the crime had been committed after ten in the evening. But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up.”
Inspector Maigret is standing in the pouring rain by a canal. A well-dressed woman, Mary Lampson, has been found strangled in a stable nearby. Why did her glamorous, hedonistic life come to such a brutal end here? Surely her taciturn husband Sir Walter knows—or maybe the answers lie with the crew of the barge La Providence.Praise for Georges Simenon:
“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian
“These Maigret books are as timeless as Paris itself.” —The Washington Post
“The matchless French crime novelist.” —Adam Gopnik, The New Yorker
“Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People
“I love reading Simenon. He makes me think of Chekhov.” —William Faulkner
“An astute observer of human nature, writing in a spare and vivid style.” —Amor Towles
“I never read contemporary fiction–with one exception: the works of Simenon.” —T.S. Eliot
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré
“One of the most important writers of our century.” —Gabriel García Márquez
“A favorite writer of mine.” —Sigrid Nunez
“A great writer of detail, of atmosphere.” —Leïla Slimani
“Feels incredibly modern…A great writer.” —Ian Rankin
“The greatest of all, the most genuine novelist we have had in literature.” —André Gide
“A supreme writer . . . Unforgettable vividness.” —The Independent (London)
“Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London)
“Compelling, remorseless, brilliant.” —John Gray
“A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark
“A novelist who entered his fictional world as if he were a part of it.” —Peter Ackroyd
“Extraordinary masterpieces of the twentieth century.” —John Banville
“Gem-hard soul-probes . . . not just the world’s bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor” ―Times (London)
“Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it’s the food that counts.” ―Margaret Atwood
“One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters – above all, an atmosphere.” ―Financial Times
“Gripping . . . richly rewarding . . . You’ll quickly find yourself obsessing about his life as you tackle each mystery in turn.” ―Stig Abell, The Sunday Times (London)Georges Simenon (1903–1989) was born on February 12th, 1903 in Liege, Belgium. At the age of nineteen, Simenon embarked to Paris to begin a career as a writer. In 1923 he began publishing under various pseudonyms, and in 1929 began the Inspector Maigret series which helped elevate him to a household name in continental Europe. His prolific output of more than four hundred novels and the gripping, dark realism of his prose has cemented him as an inedlible fixture of twentieth century literature. He died in 1989 in Lausanne, Switzerland.
David Coward is a translator from French, whose translations include works by authors such as Alexandre Dumas, Pierre Choderlos de Laclos, and the Marquis de Sade.
Georges Simenon
THE CARTER OF LA PROVIDENCE
Translated by David Coward
1. Lock 14
2. The Passengers on Board the Southern Cross
3. Mary Lampson’s Necklace
4. The Lover
5. The YCF Badge
6. The American Sailor’s Cap
7. The Bent Pedal
8. Ward 10
9. The Doctor
10. The Two Husbands
11. Right of Way
EXTRA: Chapter 1 from The Yellow Dog
ABOUT THE AUTHOR
Georges Simenon was born on 12 February 1903 in Liège, Belgium, and died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life. He published seventy-five novels and twenty-eight short stories featuring InspectorMaigret.
Simenon was very fond of boats and spent six months in 1928 navigating the rivers and canals of France. The Carter of La Providence is one of several novels written on board his boat the Ostrogoth.
‘I had my second boat built at Fécamp, the Ostrogoth. I brought it first to Paris, where I had it christened (on a whim) by the priest of Notre Dame … then Belgium, Holland, Germany.’
PENGUIN CLASSICS
THE CARTER OF LA PROVIDENCE
‘I love reading Simenon. He makes me think of Chekhov’
William Faulkner
‘A truly wonderful writer … marvellously readable – lucid, simple, absolutely in tune with the world he creates’
Muriel Spark
‘Few writers have ever conveyed with such a sure touch, the bleakness of human life’
A. N. Wilson
‘One of the greatest writers of the twentieth century … Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories’
Guardian
‘A novelist who entered his fictional world as if he were part of it’
Peter Ackroyd
‘The greatest of all, the most genuine novelist we have had in literature’
André Gide
‘Superb … The most addictive of writers … A unique teller of tales’
Observer
‘The mysteries of the human personality are revealed in all their disconcerting complexity’
Anita Brookner
‘A writer who, more than any other crime novelist, combined a high literary reputation with popular appeal’
P. D. James
‘A supreme writer … Unforgettable vividness’
Independent
‘Compelling, remorseless, brilliant’
John Gray
‘Extraordinary masterpieces of the twentieth century’
John Banville
1. Nobody’s Dog
Friday, 7 November. Concarneau is empty. The lighted clock in the Old Town glows above the ramparts; it is five minutes to eleven.
The tide is in, and a south-westerly gale is slamming the boats together in the harbour. The wind surges through the streets. Here and there a scrap of paper scuttles swiftly along the ground.
There is not a single light on Quai de l’Aiguillon. Everything is closed. Everyone is asleep. Only the three windows of the Admiral Hotel, on the square where it meets the quay, are still lighted.
They have no shutters, but through their murky greenish panes the figures inside are just barely visible. Huddled in his booth less than a hundred metres away, the customs guard stares enviously at the people lingering in the café.
Across from him in the harbour is a coaster that had come in for shelter that afternoon. There is no one on deck. Its blocks creak, and a loose jib snaps in the wind. And there is the relentless din of the gale and the rattle of the tower clock asit prepares to toll eleven.
The hotel door opens. A man appears, still talking to the people inside. The gale snatches at him, flaps his coattails, lifts off his bowler hat. He catches it in time and jams it on his head as he walks away.
Even from a distance, it is clear that he is a bit tipsy; he is unsteady on his legs and is humming a tune. The customs guard watches him and grins when the man decides to light a cigar. A comic struggle then develops between the drunk and thewind, which tears at his coat and his hat as it pushes him along the pavement. Ten matches are blown out.
The man spots a doorway up two steps, takes cover there and leans forwards. A match flickers, very briefly. The smoker staggers, grabs for the doorknob.
Was that noise part of the storm, the customs guard wonders. He can’t be sure. He laughs as he sees the fellow lose his balance and reel backwards at an impossible angle.
The man lands on the ground at the kerb, his head in the filth of the gutter. The customs guard beats his hands against his sides to warm them and scowls at the jib, irritated by its racket.
A minute, two minutes pass. He takes another glance at the drunk, who has not moved. A dog has turned up from somewhere and is sniffing at him.
‘That was when I first got the feeling there was something wrong,’ the customs guard said later, at the hearing.
The comings and goings that followed are harder to establish in strict chronological order. The customs guard approaches the fallen man, not reassured by the presence of the dog, a big snarling yellow animal. There is a street lamp eight or tenmetres away. At first he sees nothing unusual. Then he notices a hole in the drunk’s overcoat and a thick fluid flowing from the hole.
He runs to the Admiral Hotel. The café is nearly empty. Leaning on the till is a waitress. At a marble table, two men, their chairs tilted back, their legs stretched out, are finishing their cigars.
‘Quick! A crime … I don’t know …’
The customs guard looks down. The yellow dog has followed him in and is lying at the waitress’s feet.
There is hesitation, a vague feeling of fright in the air.
‘Your friend, the man who just left here …’
Some seconds later, the three of them are leaning over the body, still sprawled at the kerb. A few steps away is the town hall, with the police station. The customs guard, needing to do something, dashes over and then, breathless, runs to adoctor’s doorbell.
Unable to shake off the sight, he keeps repeating, ‘He staggered backwards like a drunk, and he went three or four steps, like this …’
Five men, then six, seven. Windows opening everywhere. Whispering …
On his knees in the mud, the doctor declares: ‘A bullet fired point-blank into the belly. He must be operated on right away. Someone phone the hospital!’
Everyone recognizes the wounded man. It is Monsieur Mostaguen, Concarneau’s biggest wine dealer, a good fellow, without an enemy in the world.
The two uniformed policemen – one of them has come out without his cap – don’t know where to begin the investigation.
Someone is talking: Monsieur Le Pommeret, whose manner and voice show him to be someone important. ‘He and I were playing cards at the Admiral café, with Servières and Dr Michoux. The doctor left first, half an hour ago. And then Mostaguen… He’s afraid of his wife; he left on the stroke of eleven …’
A tragicomedy: everyone is listening to Monsieur Le Pommeret; they have forgotten about the wounded man. Suddenly he opens his eyes, tries to get up, and, in a voice so surprised, so gentle, so feeble that the waitress bursts into nervous laughter,he whispers, ‘What happened?’
But a spasm of pain racks him. His lips twist. The muscles of his face tighten as the doctor prepares his syringe for a shot.
The yellow dog circles among the many legs. Puzzled, someone asks, ‘You know this animal?’
‘I’ve never seen him before.’
‘Probably off some boat.’
In the charged atmosphere, the dog is troubling. Perhaps it is his colour, a dirty yellow. He’s tall and lanky, very thin, and his huge head calls to mind both a mastiff and a bulldog.
Five or six metres away, the policemen are questioning the customs guard, who is the only witness.
They look at the doorstep. It is the entrance to a large private house, whose shutters are closed. To the right of the door, a solicitor’s sign announces the sale of the building at auction on 18 November: Reserve price: 80,000francs.
A policeman fiddles for a long while without managing to force the lock. Finally, the owner of the garage next door cracks it with a screwdriver.
The ambulance arrives. Monsieur Mostaguen is lifted on to a stretcher. The onlookers are left with nothing to do but contemplate the empty house.
It has stood empty for a year now. A heavy smell of gunpowder and tobacco hangs in the hallway. A torch beam picks out cigarette ashes and muddy tracks on the flagstone floor, indicating that someone had been waiting and watching for a good whilebehind the door.
A man wearing only a coat over his pyjamas says to his wife, ‘Come on! There’s nothing more to see. We’ll find out the rest from the paper tomorrow. Monsieur Servières is here …’
Servières, a plump little man in a raincoat, had been with Monsieur Le Pommeret at the Admiral. He is an editor at the Brest Beacon, and, in addition, writes a humorous piece every Sunday.
He is taking notes, giving suggestions – not to say orders – to the two policemen.
The doors along the hallway are locked. The one at the rear, which opens on to the garden, is swinging open. The garden is surrounded by a wall no higher than a metre and a half. Beyond the wall is an alley that runs into Quai del’Aiguillon.
‘The murderer went out that way!’ proclaims Jean Servières.
It was on the following day that Maigret established this rough account of the event. For the past month he had been assigned to Rennes to reorganize its mobile unit. There he had received an agitated phone call from the mayor of Concarneau.
And he had come to the town with Leroy, an inspector with whom he had not worked before.
The storm never let up. Heavy clouds dropped icy rain over the town. No boats left port, and there was talk of a steamer in distress out past the Glénan Islands.
Of course, Maigret installed himself at the Admiral Hotel, the best in town. It was five in the afternoon and just dark when he stepped into the café, a long, gloomy room with marble tables and sawdust scattered on the dingy floor. The room wasmade drearier still by the green windowpanes.
Several tables were occupied. But a quick survey was enough to tell him which was the one with the regulars, the established customers, whose conversation everyone else tried to overhear.
Someone rose from that table – a baby-faced man with round eyes and a smile on his lips.
‘Inspector Maigret? My good friend the mayor told me you were coming … I’ve heard a lot about you. Let me introduce myself: Jean Servières … Well, now – you’re from Paris, I believe? So am I! I was manager of the Red Cowin Montmartre for some time; I’ve worked for the Petit Parisien, for Excelsior, for the Dispatch … I was a close friend of one of your chiefs – Bertrand, a fine fellow. He retired to the country last year, down in Nièvre. And I’ve done the samething: I’ve retired, so to speak, from public life … I help out at the Brest Beacon now, to keep busy …’ He jumped around, waving his arms.
‘Come, now, let me present our group – the finest band of merry men in Concarneau. This is Le Pommeret: unrepentant skirt-chaser, a man of independent means and vice-consul for Denmark.’
The man who rose and offered his hand was turned out like a country gentleman: checked riding-breeches, custom-made gaiters without a trace of mud, white piqué stock at his throat. He had a fine silver moustache, smoothly slicked hair, a faircomplexion and florid cheeks.
‘Delighted, inspector.’
Jean Servières went on: ‘Dr Michoux, the son of the former deputy. A doctor on paper only, incidentally, since he’s never practised. You’ll see, he’ll eventually sell you some land; he owns the best building plots inConcarneau, and maybe in all of Brittany.’
A cold hand. A narrow, knifelike face, with a nose bent sideways. Reddish hair already thinning, though the doctor was no more than thirty-five.
‘What will you drink?’
Meanwhile, Leroy had gone off to learn what he could at the town hall and the police station.
The atmosphere in the café had about it something grey, or grim – impossible to say exactly what. Visible through an open door was a dining room, where waitresses in Breton dress were laying the tables for dinner.
Maigret’s gaze fell on a yellow dog lying beneath the till. Raising his eyes, he saw a black skirt, a white apron, a face with no particular grace, yet so appealing that throughout the conversation that followed he hardly stopped watchingit.
Whenever he turned away, moreover, the waitress, in turn, fixed her agitated gaze on him.
‘If it weren’t for the fact that it nearly killed our poor Mostaguen – the best fellow in the world, except that he’s scared silly of his wife – I’d swear this was just some tasteless joke,’ Servières said.
Le Pommeret called in an easy tone: ‘Emma!’
GB
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| Dimensions | 0.3600 × 5.0000 × 7.7000 in |
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