Marlene Dumas

Description

Marlene Dumas (b.1953) is a South African-born, Amsterdam-based painter, and an internationally admired artists. Dumas recalls in her work the painterly gestures of Expressionism, whilst combining the critical distance of Conceptual art with the pleasures of eroticism. Through her delicately painted oil-on-canvas or ink-and-watercolour depictions of the female form as well as portraits of children and erotic scenes, she comments on the state of painting today. What does it mean to be a woman working within the predominantly male genre of expressionist painting? The artist often depicts women: their expressions, their body and facial typologies, their self-image, their ideals. The relationships between art and female beauty – or between art-historical models and twentieth-century supermodels – are constant themes in her work. Dumas does not paint from life but deliberately chooses ‘stock’ images from a variety of sources, from magazine cuttings to picture postcards to Old Master paintings, as re-observed through her contemporary perspective. Since the late 1970s she has exhibited widely, with solo exhibitions at the Tate Gallery, London (1996), the Museum für Moderne Kunst, Frankfurt (1998), the Museum van Hedendaagse Kunst, Antwerp (1999), the Centre Pompidou, Paris (2002), the New Museum, New York (2002), the Museum of Contemporary Art, Los Angeles (2008) and the Museum of Modern Art, New York (2008).

Dutch art critic Dominic van den Boogerd surveys themes in Dumas’ work in relation to a range of conceptual legacies in depictions of the human figure. New York artist Barbara Bloom interviews Dumas on questions contemporary women artists are asked, from issues of intellectual process to the representation of the self. Art journalist and former Editor of Vogue Italia Mariuccia Casadio focuses on Dumas’ painting Josephine (1997), reflecting on the iconic legacy of Josephine Baker. For her Artist’s Choice Dumas has selected two authors: Oscar Wilde, whose story ‘The Fisherman and His Soul’ inspired the artist’s early series of works on the theme of mermaids; and Jean Genet, whose autobiography Le Journal du voleur (1949, trans. Thief’s Journal, 1964) is excerpted here. Marlene Dumas has often acted as a spokesperson for her work; the Artist’s Writings section features many such seminal texts on her own art as well as meditations on love, religion, politics, and a discussion of Goya’s painting The Fates. In the Update section art critic Jan Avgikos surveys Dumas’ work from 1999 to present.

Jan Avgikos is an art historian and critic and teaches at the School of the Arts at Columbia University. She is contributing editor at Artforum.

Dominic van den Boogerd was Chief Editor of Metropolis M and is currently Director of De Ateliers international artists’ institute in Amsterdam. He is guest lecturer at the Fachhochschule fŸr Kunst und Gestaltung, Bern, and the Institute of Fine Arts/Technology, Dublin.

Barbara Bloom is a photographer, designer and installation artist who has exhibited at the Venice Biennale, MoCA, Los Angeles and the ICP, New York. Her books include Ghost Writer (1988) and The Reign of Narcissism (1990).

Mariuccia Casadio is a writer on contemporary art, fashion and design. Formerly Editor of Vogue Italia, Milan (1986–90) and Editor-at-Large of Interview, New York (1990–3), at present she contributes regularly to Vogue Italia and L’uomo Vogue.

On the Contemporary Artists Series

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“The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.”—Time Out

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“Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.”—The Art Book

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