Eva Trout

Description

Eva Trout, Elizabeth Bowen’s last novel, epitomizes her bold exploration of the territory between the comedy of manners and cutting social commentary.

Orphaned at a young age, Eva has found a home of sorts in Worcestershire with her former schoolteacher, Iseult Arbles, and Iseult’s husband, Eric. From a safe distance in London, her legal guardian, Constantine, assumes that all’s well. But Eva’s flighty, romantic nature hasn’t entirely clicked with the Arbles household, and Eva is plotting to escape. When she sets out to hock her Jaguar and disappear without a trace, she unwittingly leaves a paper trail for her various custodians–and all kinds of trouble–to follow."Bowen is magnificent when she writes about conspiracy, duplicity and ambiguity, and her achievement . . . is extremely impressive." –Margaret Drabble

"[Elizabeth Bowen] is what happened after Bloomsbury . . . the link that connects Virginia Woolf with Iris Murdoch and Muriel Spark." –Victoria Glendinning

"It is as though Henry James has been superimposed upon Jane Austen." –Walter Allen, The Modern Novel

Elizabeth Bowen was born in Dublin in 1899. She wrote many acclaimed short stories and novels, including The Heat of the Day, The Death of the Heart, The Last September, and Eva Trout. She was awarded the CBE (Commander of the Order of the British Empire) in 1948. She died in 1973.

ONE

Outing

This is where we were to have spent the honeymoon," Eva Trout said, suddenly, pointing across the water. She had pulled up the car on a grass track running along the edge of a small lake. She switched off the engine–evidently, they were to gaze at the castle for some time.

Her carload of passengers was dumbfounded. Nothing of this had been mentioned before. The four Dancey children, packed in the back seat, climbed over one another to see better (the view was framed by the Jaguar’s left-hand windows). Of their mother, in front beside Eva, more seemed required–Mrs. Dancey, wildly craning her neck, brought out: "Not in winter, I hope?"

"No–spring. There would have been daffodils."

The castle, mirrored into the sheet of probably artificial water, did not look ancient. Nor did it look indigenous; though its setting was English, the pile resembled some Bavarian fantasy. Light-coloured, standing straight up out of the lake (there was no terrace), the facade showed with photographic distinctness in the now fading January afternoon. Its windows, many of which were balconied, one and all were made sightless by white shutters. Above the turreted roofline rose steep woods, sepia with winter: no smoke from any contorted chimney blurred the transparency of the trees. The only movement was in the foreground, where swans rippled the image cast on the water by zigzagging absently to and fro.

Though the Jaguar must have been nosing towards it for some time (along woodland rides, through tunnels of evergreen) the castle had only now come into view, with dramatic suddenness. And the same might be said of Eva’s design. The Danceys had had no idea where they might be going to, or why: all they knew was, Miss Trout was taking them for an outing. For two-and-a-half hours, up hill, down dale, they had been rushing through cold scenery. What they’d been more and more earnestly looking forward to was a stop for tea: this was a sunless and sere day for pleasure motoring. It was some weeks, now, since Miss Trout had first invaded the vicarage, showering benefits on them, often mixed ones. How long, they wondered, would this go on for? For ever and ever? Perhaps not . . .

"Closed for the winter, evidently," said Mrs. Dancey. She hazarded: "Is it in private ownership?"

"It was a school for a while. Not now–no; we should have had it all to ourselves," the girl said, nonchalantly and grandly.

"Mother," asked one of the children, "may we get out?"

"May they get out for a minute or two, Eva?"

Eva did not reply: she was getting out. Having done so, leaving her door open, she walked round the car throwing all others open, with an air of largesse. January knifed through the heated Jaguar; a child sneezed as it battled its way to freedom, and Mrs. Dancey, erecting her fur coat-collar and sinking so far as might be down into it, declared: "I think I’ll stay where I am." Eva did not reply: she had walked away. The children set off in the reverse direction–their mother, impaled on draughts, sent a whinny after them: two of them came back and banged shut the doors. Mrs. Dancey at once lowered a window, to call out: "All of you, better not go too far!"

Once alone, Mrs. Dancey, who already had a crick in her neck, saw no further need to study the castle. Instead, here was an unprecedented opportunity to study Eva, at length and in peace, from a safe distance. Eva, one saw straight ahead, through the windscreen. The giantess, by now, was alone also: some way away along the edge of the water she had come to a stop–shoulders braced, hands interlocked behind her, feet in the costly, slovenly lambskin bootees planted apart. Back fell her cap of jaggedly-cut hair from her raised profile, showing the still adolescent heaviness of the jawline . . . No, it would not have done, pondered Mrs. Dancey (meaning the marriage: what marriage? Any). Yet after all, why not? She’s twenty-four. Is she thinking? Mrs. Dancey thought not. Monolithic, Eva’s attitude was. It was not, somehow, the attitude of a thinking person.

The girl looked round.

The watcher hastily lowered her eyes to the walnut dashboard, with its so many dials. She went on to close her eyes, only just in time–Mrs. Dancey’s favourite form of immunity was a feigned nap; and, sure enough, Eva was coming back! Purposeful strides could be heard returning over the turf made iron by black frost. They passed the car, not a pause, and continued onward. Going after the children?

Not yet inspired, torpid after the drive, the children stood about in a loose group, stamping their feet or blowing on to their fingers through Fair Isle gloves. Their bright gloves (Christmas presents), their suffering scarlet ears and the brass-yellow of the two girls’ pigtails were the only touches of colour about the Danceys, otherwise clad alike, irrespective of sex, in sombre dark-blue berets and belted overcoats. In age they graded down from thirteen to seven: Catrina, Henry, Andrew, Louise. From time to time they communicated neutrally with one another, in their own manner, barely moving their lips. Had the lake been frozen, they could have slid on it; but it had not, yet, more than a margin of mean ice, nibbled at by the ripples caused by the swans. As for the castle, it looked, from here, as though cut out, flat, from a sheet of cardboard.

"Catrina!" now shouted the nearing Eva. "All of you! Why do you stay so still?"

"Anywhere to go to is too far."

"I say, Miss Trout–"

"–Henry, you must call me Eva!"

"All right.–Is that castle bona fide?"

"He means," said Catrina, "has it an inside?"

"No I don’t," said Henry, turning away.

"Could I pass my honeymoon there if it had not?"

"But you’re not going to."

Bright-witted little Louisa chimed in: "Or there couldn’t have been a school in it, either, could there?"

"Yes, that school," Andrew wanted to know, "was it no good?"

"It was experimentary," Eva vouchsafed, in a large way waving a hand. "Boys and girls."

"That has been tried before," Henry pointed out.

"So then, what happened?" persisted Andrew. "Were any drowned in the lake?"

"Or did they push each other out of the windows?" Louise supplemented. "Or fall out of a boat?"

"There’s no boat," said Andrew in a discouraged tone. "If there had been, we could have rowed across."

"Not if the boat had been on the other side," said Henry, again scoring a point.

"We could have walked round, then rowed back.–Was it sunk, do you think?"

"Anyway, that would have taken too long," said Catrina, pessimistic as ever. She drew some shreds of Kleenex out of a pocket and wadded them together, to blow her nose on. "Eva, how do you know about this school? You weren’t there, were you?"

"For a while," said their patroness. She said no more.

"So then what happened?"

"The school ceased."

Henry, eyeing the structure with growing scepticism, inquired: "Are there dungeons, for instance?"

With a fervour she seemed to reserve for Henry, Eva cried out: "No, you horrible boy–nothing so insanitary!"

"I rather thought not," said Henry calmly. He made as though once more to turn away, then did not. Pressing home his advantage, he asked: "Where are we going to have tea?"

Though small for his age, twelve, Henry stood out: topmost intelligent one of a family all rendered to a degree intelligent by poverty, breeding and the need to get on. His manner was particularly composed, and at times (as on this occasion) sardonic. Though Andrew was the handsomer of the boys, Henry’s features, made delicate by precocity, gave promise of greater interest in years to come. His charm was nascent, perverse and a shade stand-offish. Already he was qualified to deal with Eva: she could not boss him and he could mortify her–though unless unduly provoked he refrained from doing so; treating her, on the whole, as he might an astray moose which when too overpowering could be shooed away.

The word "tea," not spoken aloud till now, made the others stare haggardly at Henry, then at Eva–who gave out: "Oh, some hotel, I suppose!"

"There weren’t many," Henry remarked, "on the way here."

Catrina, re-wadding the Kleenex, made further use of it. "If there were, there would not be tea if we’re too late."

"It’s NOT late," shouted their captor.

"It’s getting dark, you know."

It was. The inhospitable castle receded, already, into its inklike woods, taking on a look of the immaterial–its reflection, even, fainted out of the lake, over which was forming a frozen vapour. No pathos invested the scene. There was no afterglow–there had been no sun. And the swans were gone.

Still ruminating over the school’s fate, the children, swarming back to the Jaguar, looked behind them once or twice at the castle. Eva did not–she could not, now, wait to be off. Her boorish infidelity shocked the Danceys: one of them raised a voice in reproof. "If it’s left like that, I should think it would fall down. Doesn’t it belong to anyone now?"

"Oh yes, it belongs to my father’s friend."

"Alive, is he? It doesn’t look like it."

"How," she retorted, "could a thing belong to anyone dead?"

"What’s his name, Eva?"

"Constantine."

They packed back into the Jaguar–causing Mrs. Dancey to start up, preternaturally wide-awake, frantically wanting to know: "What time is it?" Cocooned in a rug, she had lapsed from the acted nap into true, deep slumber; which, guilty though it had left her, had done good. Mrs. Dancey was permanently exhausted. For all she knew, now, this could be tomorrow. And where in the world ARE we? (She prayed to remember.) Anyway here was Eva, right back on top of one. Eva as ever, extra heavily breathing, about to twitch the ignition key. "Are you all there, children?" appealed the mother. Wherever this was, it was soon to be somewhere else–for the Jaguar, stealthily purring, was creeping forward.

TWO

Mr. and Mrs. Arbie

Though Eva these days all but lived at the Danceys’, she did not live with them: her base, not too far from the vicarage, was the home of friends with whom she looked like making an indefinite stay. She was paying guest there. This had the approval of her guardian (in whom was vested the office of trustee also) by whom any arrangement involving money had, still, to be authorised. For the big heiress was not, by the terms of her father’s will, to enter into enjoyment of her fortune till she should be twenty-five. (That would be, next birthday.) Meanwhile her welfare was, at least in name, the concern of Constantine, who charged himself with financial arrangements for it. Her wish to take up residence with the Arbles, Mr. and Mrs., had, happily, suited Constantine’s book. Indeed, the Arbles seemed to him just the thing. Their home, Larkins, should be remote from trouble. They solved a problem; he recompensed them, liberally, accordingly. He had a mind easily set at rest.

This was a part of Worcestershire largely given over to fruit farming. Larkins was set in plum orchards, of which acres extended on three sides. The house was itself built of plum-coloured brick. Square, two-storied, five sash windows in front (three above, two below), with a door in the middle, it was not unlike a house in a child’s drawing. Its gaze was forthright. It faced on, though stood a little way back from, a lonely by-road.

Iseult Arble seemed destined to have Eva–destined, she sometimes wondered, never to lose her? Everything had indicated Iseult. She and her husband needed the Eva money, to make ends meet–could they, otherwise, have gone on very much longer? She was a highly intelligent person, young still, of pleasing appearance and good character, as to whom there existed but one mystery: why had she thrown herself away? (She apparently had.) She should know how to deal with Eva, an ex-pupil. Iseult had been teacher of English at a first-rate, unambiguous girls’ school attended by Eva eight years ago. Miss Smith, as she then was, had made an abiding impression. Eva had never lost touch with her. She remained an influence–all the more so by having incurred, it seemed, a lifelong devotion.

Iseult Smith had gone out of her way to establish confidence, for her own reasons–she proposed to tackle Eva’s manner of speaking. What caused the girl to express herself like a displaced person? The explanation–that from infancy onward Eva had had as attendants displaced persons, those at a price being the most obtainable, to whose society she’d been largely consigned–for some reason never appeared: too simple, perhaps? Much went into the effort to induce flexibility. But Miss Smith had come too late on the scene; she had had to give up. Eva by then was sixteen: her outlandish, cementlike conversational style had set. Moreover–the discouraging fact emerged–it was more than sufficient for Eva’s needs. She had nothing to say that could not be said, adequately, the way she said it. What did result from the sessions was, on the girl’s side, awe for the dazzling teacher; also, Eva was left in a daze of gratitude. Till Iseult came, no human being had ever turned upon Eva their full attention–an attention which could seem to be love. Eva knew nothing of love but that it existed–that, she should know, having looked on at it. Her existence had gone by under a shadow: the shadow of Willy Trout’s total attachment to Constantine.

The entire cut of the jib of Eva’s father could have given the lie to that obsession; which had, in fact, waited to mark him down till he was into what seemed maturity. Big in height and frame and in a big way easy in movement, stalwart and open in countenance–though under-the-eyes pouches and a tic in the cheek declared themselves under the later pressure–he looked what he otherwise was: a business man fortunate in his background, a crack polo player, with a pretty wife. He had been popular. An apparent artlessness concealed the acumen, approaching genius, through which he had trebled inherited wealth. Possibly the genius side was the rocky side? It was in him to deviate: that, Constantine had unerringly sensed . . . Willy’s child had not been the only defrauded one. His wife fled, two months after the birth of Eva. Mrs. Trout was then almost at once killed in a plane crash. Willy’s own death, twenty-three years later, was as abrupt, though in a different manner. It left Eva, a legacy, on the hands of Constantine till the Larkins solution came to be found.

After school Eva, accompanying her father on global business trips, had constantly sent picture postcards to Miss Smith from wherever she found herself. She obtained glimpses of Miss Smith when back in London. As a wedding present, she had sent an enormous, glitteringly-fitted picnic basket from Fortnum & Mason’s: the bride would have liked to exchange it for comestibles, but dared not; Eva often visited Larkins. Iseult Smith’s abandonment of a star career for an obscure marriage puzzled those for whom it was hearsay only–but the reason leaped to the eye: the marriage was founded on a cerebral young woman’s first physical passion. The Arbles had now been the Arbles for some years–so far, no children. Accordingly, room for Eva. She had had her way. Visits terminate, visitors have to go–she now was a visitor no longer.

What had deteriorated?US

Additional information

Weight	9.4 oz
Dimensions	0.7200 × 5.2400 × 7.9500 in
Imprint	Anchor
Format	General Trade
ISBN-13	09780385721318
ISBN-10	0385721315
Author	Elizabeth Bowen
Audience	General / adult
Subjects	books fiction, modernism, literary fiction, historical romance, alternate history, Cold War, aviation, world war 1, fiction books, historical fiction, historical novels, historical fiction books, realistic fiction books, books historical fiction, historical fiction novels, fiction psychological, booker prize shortlist, retirement gifts for women, mystery, england, historical, war, music, gothic, horror, classic, romance, fiction, Literature, coming of age, novels, WWII, WW2, short stories, world war ii, espionage, 20th century