Cold War Camera

Description

Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East/West and US/USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it.
Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Ziętkiewicz Examining a wide range of photography from across the global South, the contributors to Cold War Camera explore the visual mediation of the Cold War, illuminating how photography shaped how it was prosecuted and experienced. Thy Phu is Professor of Media Studies at the University of Toronto, Scarborough, and author of Warring Visions: Photography and Vietnam, also published by Duke University Press.
Erina Duganne is Professor of Art History at Texas State University and author of The Self in Black and White: Race and Subjectivity in Postwar American Photography.
Andrea Noble (1968–2017) was Professor of Latin American Studies at Durham University and author of Mexican National Cinema. List of Illustrations
Acknowledgments
Cold War Camera: An Introduction / Thy Phu, Andrea Noble, and Erina Duganne
Visual Alliances
1. Ernest Cole's House of Bondage, the United States Information Agency, and the Cultural Politics of the World War / Darren Newbury
2. Icon of Solidarity: The Revolutionary Vietnamese Woman in Vietnam, Palestine, and Iran / Thy Phu, Evyn Lê Espiritu Gandi, and Donya Ziaee
3. Group Material's "Art for the Future": Visualizing Transnational Solidarity at the End of the Global Cold War / Erina Duganne
4. Interrogating the Cold War's Geo-Politics from Down South: Chile from Within (1990) and the Construction of a Situated Visuality / Ángeles Donoso Macaya
5. Decolonization and Nonalignment: African Futures, Lost and Found / Jennifer Bajorek
Photo Essays
6. Bifurcated and Parallel Histories / Tong Lam
7. Preservation of Terror / Eric Gottesman
Structures of Seeing
8. Ending World War II: The Visual Literacy Class in Cold War Human Rights / Ariella Aïsha Azoulay
9. “Planted There Like Human Flags”: Photographs of the High Arctic and Cold War Anxiety, 1951–1956 / Sarah Parsons
10. Urban Albums, Village Forms: Chinese Family Photographs and the Cold War / Laura Wexler, Karintha Lowe, and Guigui Yao
11. Travel, Space, and Belonging in Soviet Domestic Photo Collections of the Cold War Era / Oksana Sarkosova and Olga Shevchenko
12. Exhibiting Ethnic Minorities, Democratizing History: Cold War Legacies and the Jews in Poland's Visible Sphere / Gil Pasternak and Marta Ziętkiewicz
Bibliography
Contributors
Index

Additional information