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Climatic Media

Climatic Media

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$25.95

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In Climatic Media, Yuriko Furuhata traces climate engineering from the early twentieth century to the present, emphasizing the legacies of Japan’s empire building and its Cold War alliance with the United States. Furuhata boldly expands the scope of media studies to consider technologies that chemically “condition” Earth’s atmosphere and socially “condition” the conduct of people, focusing on the attempts to monitor and modify indoor and outdoor atmospheres by Japanese scientists, technicians, architects, and artists in conjunction with their American counterparts. She charts the geopolitical contexts of what she calls climatic media by examining a range of technologies such as cloud seeding and artificial snowflakes, digital computing used for weather forecasting and weather control, cybernetics for urban planning and policing, Nakaya Fujiko’s fog sculpture, and the architectural experiments of Tange Lab and the Metabolists, who sought to design climate-controlled capsule housing and domed cities. Furuhata’s transpacific analysis offers a novel take on the elemental conditions of media and climate change. Yuriko Furuhata traces climate engineering from the early twentieth century to the present, showing how a range of Japanese scientists, technicians, architects, and artists developed technologies to monitor, condition, and modify climate. Yuriko Furuhata is Associate Professor and William Dawson Scholar of Cinema and Media History in the Department of East Asian Studies at McGill University and author of Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics, also published by Duke University Press. Acknowledgments  vii
Introduction  1
1. Outdoor Weather: Artificial Fog and Weather Control  25
2. Indoor Weather: Air-Conditioning and Future Forecasting  48
3. To the Greenhouse: Weatherproof Architecture as Climatic Media  80
4. Spaceship Earth: Plastics and the Ecological Dilemma of Metabolist Architecture  104
5. Cloud Control: Tear Gas, Cybernetics, and Networked Surveillance  133
Conclusion: Explicating the Backgrounds  166
Notes  177
Bibliography  215
Index  237

“Climatic Media is a groundbreaking project that will have far-reaching resonances and implications across the humanities and social sciences. Given its critical rigor, deeply engaging analysis, and the wide-ranging readership it forges, Climatic Media is no doubt one of the most exciting books to mark this new decade. This is a field-changing work and a fascinating and extremely rewarding read.”
“Yuriko Furuhata’s Climatic Media is a timely, vital, and urgent book. At a moment of extreme disaster speculation and technophilic ambitions to re-engineer both ourselves and our planet’s climate, this book offers both critique and inspiration. Tracing an alternative Japanese genealogy of climate control, Furuhata convincingly demonstrates how conditioning the climate and conditioning ourselves are joint projects. In exposing the militarized, imperial, and contested epistemologies that construct our contemporary ideas of ecology, she also opens a route by which we might envision and design alternative forms of environmental management, forms that might be more equitable, noncolonial, and diverse.”
“I came away with a newfound appreciation for the hidden nature of atmospheric management that we see but do not see every day. . . . The book is itself a fascinating contribution to science and technology studies, history of science and technology, and cultural and media theory literature, and offers a new way of imagining Japanese history.”
“Climatic Media sits at the intersection of media studies and the history of science and technology. Furuhata taps into a current trend by looking at climate as media. Highly Recommended.”
“[Climatic Media] is an important contribution to our understanding of many aspects of Japanese epistemic communities, the US-Japan alliance, and our current predicament of global warming and potential, man-made solutions. Hopefully, it will help our responses become more thoughtful.”
“It is the intersection of histories of technology, environmental mediation, and their geopolitical stakes that makes Furuhata’s book so interesting. It taps into such a crucial topic of discussion that it is sure to be widely read and referenced in and outside media studies.”

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Weight 1 oz
Dimensions 1 × 6 × 9 in