Blue Ruin

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From one of the sharpest voices in fiction today, a profound and enthralling novel about beauty and power, capital, art and those who devote their lives to creating it

Once, Jay was an artist. After graduating from art school in London, he was tipped for greatness, a promising career taking shape before him. That was not to happen. Now, undocumented in the United States, having survived Covid, he lives out of his car and barely makes a living as an essential worker, delivering groceries in a wealthy area of upstate New York. One day, as Jay attempts to make a delivery at a house surrounded by acres of woods, he is confronted by his destructive past: Alice, a former lover from his art school days, and the friend she left him for. Recognizing Jay’s dire circumstances, Alice invites him to stay on their property—where an erratic gallery owner and his girlfriend are isolating as well—setting in motion a reckoning that has been decades in the making.

Gripping and brilliantly orchestrated, Blue Ruin moves back and forth through time, delivering an extraordinary portrait of an artist as he reunites with his past and confronts the world he once loved and left behind.“I read everything Hari Kunzru writes, for my highest pleasure and my deepest sustenance.”
—Rachel Kushner

“[Blue Ruin] promises to be harrowing and darkly funny. Kunzru has a knack for the nightmarish present, and few things feel more nightmarish than a forced confrontation with the past in the early stages of the pandemic.”
—Lit Hub, “Most Anticipated Books of 2024”

“Kunzru’s [Blue Ruin] is a triumph of beauty and a true ode to the artist.”
—Oprah Daily, “Most Anticipated Books of 2024”

“Kunzru takes on the excessive and rapacious tendencies of the art world in his dazzling latest . . . [Blue Ruin] is immensely satisfying.”
—Publishers Weekly, starred

“A lively, ever-intensifying story of race, immigration, work, and what it means to earn a living . . . [Blue Ruin is] a darkly ironic tale of two bubbles—an art world divorced from economic reality and a Covid era that segregated us from society . . . A dark, smart, provocative tale of the perils of art making.”
—Kirkus, starred

“Exquisite writing and keen insights into class tensions and creative dilemmas. Kunzru affirms that it’s always a good time to live an examined life, even during a pandemic.”
—Booklist, starredHARI KUNZRU is the author of six novels, Red Pill, White Tears, Gods Without Men, My Revolutions, Transmission, and The Impressionist. The recipient of fellowships from the Guggenheim Foundation, the American Academy in Berlin, and the Cullman Center at the New York Public Library, he is a regular contributor to The New York Review of Books and writes the “Easy Chair” column for Harper’s Magazine. He lives in Brooklyn and teaches in the Creative Writing Program at New York University.US

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