Bigger Than Life

Bigger Than Life

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In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close-up, particularly of the face, as grotesque and often horrifying, even as it sought to expose a character's interiority through its magnification of detail and expression. Today, large-scale technologies such as IMAX and surround sound strive to dissolve the cinematic frame and invade the spectator's space, “immersing” them in image and sound. The notion of immersion, Doane contends, is symptomatic of a crisis of location in technologically mediated space and a reconceptualization of position, scale, and distance. In this way, cinematic scale and its modes of spatialization and despatialization have shaped the modern subject, interpolating them into the incessant expansion of commodification. Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Mary Ann Doane is Class of 1937 Professor of Film and Media at the University of California, Berkeley, and author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive and Femmes Fatales: Feminism, Film Theory, Psychoanalysis. Acknowledgments  ix
Introduction: Scale, the Cinematic Image, and the Negotiation of Space  1
Part I. Close-Up/Face
1. The Delirium of a Minimal Unit  29
2. The Cinematic Manufacture of Scale, or Historical Vicissitudes of the Close-Up  53
3. At Face Value  89
Part II. Scale/Screen
4. Screens, Female Faces, and Modernities  135
5. The Location of the Image: Projection, Perspective, and Scale  189
6. The Concept of Immersion: Mediated Space, Media Space, and the Location of the Subject  239
Notes  283
Bibliography  325
Index  343

“Matching her earlier, masterful treatment of cinematic time, Mary Ann Doane here offers a brilliant probing of cinematic space. She explores cinema’s dynamic use of scale, from the magnification of the face in close-up to new screen technologies ranging from the iPhone to IMAX. Drawing on a range of film styles and practices, including early cinema, avant-garde experiments, and Shanghai cinema of the 1930s, Doane reveals how cinema has shaped a modern abstract and even dematerialized world.”
“Mary Ann Doane’s highly innovative, theoretically brilliant, and eloquently incisive consideration of the history of the filmic close-up and its relation to scale will undoubtedly make Bigger Than Life a field-changing work.”

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Dimensions 1 × 6 × 9 in