Bernhard Lang

Bernhard Lang

$122.95

In stock
0 out of 5

$122.95

SKU: 9781789387636 Category:
Title Range Discount
Trade Discount 5 + 25%

Description

This introduction to a challenging contemporary composer delves into the theory and philosophy of repetition.  
The work of Austrian composer Bernhard Lang elides easy categorization. While rooted simultaneously in DJ culture, free jazz, pop culture and the Austro-European new music scene, his oeuvre explicitly foregrounds repetition. He is, in his own words, a “repeat offender.”
 
Bernhard Lang serves as a critical guide to the composer’s music and traces the phenomenon of repetition throughout his oeuvre. To examine Lang’s repetitive aesthetics, Christine Dysers employs various philosophical methods, such as Gilles Deleuze’s differential ontology. Fusing critical musicology, aesthetic theory, poststructuralist thought, and music analysis, Bernhard Lang brings fresh insight to the work of an award-winning contemporary composer. Christine Dysers is a postdoctoral researcher in the Uppsala University Department of Musicology.

Figures         
Acknowledgements               
 
Introduction              
 
Chapter 1: Philosophies of repetition         
          Discovering Deleuze 
2.         Circular thinking                                 
3.         Seriality and the rhizomatic oeuvre    
Chapter 2: Different repetitions                  
The same, again 
2.         The paradox of repetition                   
3.         The same, but different                       
4.         Calculating the unforeseen                 
Chapter 3: Acts of repetition                       
Stories about repetition 
2.         Repetitive stories                                
3.         Repetitive gestures                             
4.         Repetitive scenographies                    
Chapter 4: Politics of repetition                  
It’s all about history                         
2.         Take the power back                           
3.         The analytic faculty                            
4.         The limits of the intertext                   
 
Epilogue                     
 
Notes                          
Bibliography             
Index                         

Additional information

Dimensions 1 × 7 × 10 in

Bernhard Lang

0 out of 5

$122.95

SKU: 9781789387636 Category:
Title Range Discount
Trade Discount 5 + 25%

Description

This introduction to a challenging contemporary composer delves into the theory and philosophy of repetition.  
The work of Austrian composer Bernhard Lang elides easy categorization. While rooted simultaneously in DJ culture, free jazz, pop culture and the Austro-European new music scene, his oeuvre explicitly foregrounds repetition. He is, in his own words, a “repeat offender.”
 
Bernhard Lang serves as a critical guide to the composer’s music and traces the phenomenon of repetition throughout his oeuvre. To examine Lang’s repetitive aesthetics, Christine Dysers employs various philosophical methods, such as Gilles Deleuze’s differential ontology. Fusing critical musicology, aesthetic theory, poststructuralist thought, and music analysis, Bernhard Lang brings fresh insight to the work of an award-winning contemporary composer. Christine Dysers is a postdoctoral researcher in the Uppsala University Department of Musicology.

Figures         
Acknowledgements               
 
Introduction              
 
Chapter 1: Philosophies of repetition         
          Discovering Deleuze 
2.         Circular thinking                                 
3.         Seriality and the rhizomatic oeuvre    
Chapter 2: Different repetitions                  
The same, again 
2.         The paradox of repetition                   
3.         The same, but different                       
4.         Calculating the unforeseen                 
Chapter 3: Acts of repetition                       
Stories about repetition 
2.         Repetitive stories                                
3.         Repetitive gestures                             
4.         Repetitive scenographies                    
Chapter 4: Politics of repetition                  
It’s all about history                         
2.         Take the power back                           
3.         The analytic faculty                            
4.         The limits of the intertext                   
 
Epilogue                     
 
Notes                          
Bibliography             
Index                         

Additional information

Dimensions 1 × 7 × 10 in

Bernhard Lang

0 out of 5

$122.95

SKU: 9781789387636 Category:
Title Range Discount
Trade Discount 5 + 25%

Description

This introduction to a challenging contemporary composer delves into the theory and philosophy of repetition.  
The work of Austrian composer Bernhard Lang elides easy categorization. While rooted simultaneously in DJ culture, free jazz, pop culture and the Austro-European new music scene, his oeuvre explicitly foregrounds repetition. He is, in his own words, a “repeat offender.”
 
Bernhard Lang serves as a critical guide to the composer’s music and traces the phenomenon of repetition throughout his oeuvre. To examine Lang’s repetitive aesthetics, Christine Dysers employs various philosophical methods, such as Gilles Deleuze’s differential ontology. Fusing critical musicology, aesthetic theory, poststructuralist thought, and music analysis, Bernhard Lang brings fresh insight to the work of an award-winning contemporary composer. Christine Dysers is a postdoctoral researcher in the Uppsala University Department of Musicology.

Figures         
Acknowledgements               
 
Introduction              
 
Chapter 1: Philosophies of repetition         
          Discovering Deleuze 
2.         Circular thinking                                 
3.         Seriality and the rhizomatic oeuvre    
Chapter 2: Different repetitions                  
The same, again 
2.         The paradox of repetition                   
3.         The same, but different                       
4.         Calculating the unforeseen                 
Chapter 3: Acts of repetition                       
Stories about repetition 
2.         Repetitive stories                                
3.         Repetitive gestures                             
4.         Repetitive scenographies                    
Chapter 4: Politics of repetition                  
It’s all about history                         
2.         Take the power back                           
3.         The analytic faculty                            
4.         The limits of the intertext                   
 
Epilogue                     
 
Notes                          
Bibliography             
Index                         

Additional information

Dimensions 1 × 7 × 10 in