A Luis Leal Reader
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Description
Since his first publication in 1942, Luis Leal has likely done more than any other writer or scholar to foster a critical appreciation of Mexican, Chicano, and Latin American literature and culture. This volume, bringing together a representative selection of Leal’s writings from the past sixty years, is at once a wide-ranging introduction to the most influential scholar of Latino literature and a critical history of the field as it emerged and developed through the twentieth century.
Instrumental in establishing Mexican literary studies in the United States, Leal’s writings on the topic are especially instructive, ranging from essays on the significance of symbolism, culture, and history in early Chicano literature to studies of the more recent use of magical realism and of individual New Mexican, Tejano, and Mexican authors such as Juan Rulfo, Carlos Fuentes, José Montoya, and Mariano Azuela. Clearly and cogently written, these writings bring to bear an encyclopedic knowledge, a deep understanding of history and politics, and an unparalleled command of the aesthetics of storytelling, from folklore to theory. This collection affords readers the opportunity to consider—or reconsider—Latino literature under the deft guidance of its greatest reader.
Instrumental in establishing Mexican literary studies in the United States, Leal’s writings on the topic are especially instructive, ranging from essays on the significance of symbolism, culture, and history in early Chicano literature to studies of the more recent use of magical realism and of individual New Mexican, Tejano, and Mexican authors such as Juan Rulfo, Carlos Fuentes, José Montoya, and Mariano Azuela. Clearly and cogently written, these writings bring to bear an encyclopedic knowledge, a deep understanding of history and politics, and an unparalleled command of the aesthetics of storytelling, from folklore to theory. This collection affords readers the opportunity to consider—or reconsider—Latino literature under the deft guidance of its greatest reader.
Since his first publication in 1942, Luis Leal has likely done more than any other writer or scholar to foster a critical appreciation of Mexican, Chicano, and Latin American literature and culture. This volume, bringing together a representative selection of Leal’s writings from the past sixty years, is at once a wide-ranging introduction to the most influential scholar of Latino literature and a critical history of the field as it emerged and developed through the twentieth century.
Luis Leal has been a member of the faculty of the University of California at Santa Barbara since 1976. In 1991 he received the Aztec Eagle from the Mexican government and in 1997, the National Humanities Medal from President Clinton. Each year the Luis Leal Award for Distinction in Chicano/Latino Literature is presented to a landmark work in Latino literature.
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five-College 40th Anniversary Professor at Amherst College. His recent books include Dictionary Days: A Defining Passion (Graywolf, 2005), and On Borrowed Words: A Memoir ofLanguage (Penguin, 2002). He is also the author of Bandido: The Death and Resurrection of Oscar "Zeta" Acosta (2003) and The Disappearance: A Novella and Stories (2006), both published by Northwestern University Press.
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five-College 40th Anniversary Professor at Amherst College. His recent books include Dictionary Days: A Defining Passion (Graywolf, 2005), and On Borrowed Words: A Memoir ofLanguage (Penguin, 2002). He is also the author of Bandido: The Death and Resurrection of Oscar "Zeta" Acosta (2003) and The Disappearance: A Novella and Stories (2006), both published by Northwestern University Press.
Contents
Introduction: The Day I Was Luis Leal by Ilan Stavans2. A Historical Perspective
3. The Problem of Identifying Chicano Literature
4. Into the Labyrinth
5. Truth-Telling Tongues
6. Lo real maravilloso in Nuevo México
7. The Spanish-Language Press
8. El paso y la huellaColonials and Decimonónicos9. Bernardo de Balbuena
10. Gaspar Pérez de Villagrá
11. La Conquistadora
12.Félix Varela
13. Miguel Antonio Otero
15. María Cristina Mena
16. José Rubén Romero
17. Pedro Henríquez Ureña
18. Octavio Paz
19. Juan Rulfo
20. Carlos Fuentes21. José A. Montoya
22. Tomás Rivera
23. Américo Paredes
24. Rolando Hinojosa-Smith
25. Rudolfo Anaya
26. Sandra Cisneros
29. Mexico’s Centrifugal Culture
30. Aspects of the Novel
31.Magical Realism
32. African Influences
33. Tlatelolco, Tlatelolco
34. The Ugly American
35. Octavio Paz and the Chicano
36. Mirror, Mirror
37. Beyond Myths and Borders
Index